am·AGOSTINO MANCAHISTORICAL RECONSTRUCTION & VISUAL ARTS

The past.
A new perspective.

I reconstruct places and images from the past through historical research and the language of the visual arts.

Discover my work ↓

THE BUONSIGNORI MAP

Nova pulcherrimae civitatis Florentiae topographia accuratissime delineata

RESEARCH · DIGITAL RESTORATION · COLOUR · PHOTOREALISTIC REINTERPRETATIONA PROJECT BY AGOSTINO MANCA

01 — FLORENCE 1584

The Buonsignori
Map.

Drawn by the Olivetan monk Stefano Buonsignori and etched by Bonaventura Billocardi, this axonometric view of Florence was first published in 1584 and dedicated to Francesco I de’ Medici.

Comprising nine sheets, measuring approximately 125 × 138 cm overall, it was updated in 1594 and reprinted in the seventeenth century by Giovanni Giacomo de’ Rossi. Its elevated viewpoint was probably developed from Monte Oliveto.

Historical sources: Brown University · Hidden Florence · Palazzo Spinelli

02 — THE PROCESS

Every image
begins with research.

Preserve the character of the source.
Make its details easier to read.
Open up new ways of seeing.

01

Recovering the drawing

The digitised historical image is the starting point. Digital restoration brings continuity and clarity back to the view.

THE SOURCE
02

Adding colour

Hand colouring, building by building: roofs, fields, trees and shadows reveal the structure of the city.

THE INTERPRETATION
03

Bringing depth

The photorealistic reinterpretation follows the map’s linework, informed by architectural research and careful revision of the details.

THE RECONSTRUCTION

A researched visual reinterpretation, in which the historical source and reconstruction choices remain distinguishable.

03 — THE STUDIO

AGOSTINO MANCA
FLORENCE, ITALY

Between memory,
matter and imagination.

My name is Agostino Manca and I create visual reconstructions of historical heritage. My work begins with drawing and the ability to imagine a form before creating it.

My approach starts with what we can still observe: a map drawn in 1584, a ruin from Roman times. This surviving evidence remains the reference point for the entire reconstruction. Study and research allow me to develop plausible interpretations and give form to what can no longer be seen.

New technologies, including generative AI, are the tools I use to turn this process into images: an advanced “paintbrush”, guided by observation, research and careful revision of the details. The aim is to bring a fragment of history into view, making it immersive, understandable and open to exploration.

KEEP EXPLORING

Images tell stories.
Details bring surprises.

05 — CONTACT

Let’s stay
in touch.

DIGITAL MUSEUM

Florence 1584

Preparazione della mappa…
RICOSTRUZIONE100%
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